This paper draws upon analogy with better documented slave societies to argue, first, that the institution of slavery was a major factor in fostering a discourse on the differences among foreign peoples; and secondly, that Greek ethnographic writing was informed by the experience of slavery, containing implicit justifications of slavery as an institution. It then considers the implications of these conclusions for our understanding of Greek representations of the barbarian world and for Greek contact with non-Greeks.

Georg Simmel’s essay on Rome gives paradigmatic expression to an imponderable method that the philosopher practices for years, symbolized by the idea of a plumb line cast from the unstable waters of a sea to its firm foundations. Here Simmel shows how a complex and transhistorical city receives meaning through its multiply tense urban relations, constituting nonetheless a strangely coherent whole. Only circular thinking can adequately grasp this form of coherence. It requires seeing beyond conflicting facts as well as the (...) reader’s own subject positions, in navigation of a space between inner and outer features of perceptual experience. The fragmented and variegated layout of Rome allegorizes that complex space of historical and cultural relations into which interpreting selves must venture to experience totalities that are neither self-evident in things nor in minds that seek their order. (shrink)

Herodotus’ fateful tale of the seven Persian emissaries sent to seek Earth and Water from the Macedonian king Amyntes has been the subject of increasingly rich discussion in recent years. Generations of commentators have cumulatively revealed the ironies of Herodotus’ account: its repeated hints, for example, of the Persians’ eventual end; and, crowning all other ironies, the story's ending: that, after resisting the indignity of his female relatives being molested at a banquet, and disposing of all trace of the Persian (...) ambassadors and their party, Alexander of Macedon then arranges his sister's marriage to the leader of the search party sent to investigate his disappeared compatriots (Hdt. 5.21.2). More recent readings have gone further in uncovering the mythological archetypes for thelogos, or in tracing its exploration of a number of themes: revenge, guest-friendship, the equation of sexual and military conquest, or the ‘explosion of violence resulting from the contact of two different cultures’. Most fruitful perhaps have been those readings that have seen thelogosno longer as a detached ‘short story’ but in its wider context in theHistories: David Fearn, for example, has stressed the need to understand the presentation of Alexander I in the light of what the reader knows of his subsequent history. (shrink)

History, Kern remarks in his introduction, could be written by looking at parliaments, families, or bourgeoisies. Kern chooses rather to focus on the broadest common denominators of historical experience: time and space. Specific understandings of time and space can be identified in any political, artistic, technological, or philosophical practices one may choose to study. This is particularly evident in the period of European history between 1880 and 1918, the age of the airplane, the telephone, and the wireless, of Cubism, cinema, (...) and simultaneous poetry, of Bergson, Einstein, and Joyce, of a war whose dimensions and methods were made possible only through radically new senses of the nature of time and space. (shrink)